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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

John Mitchel with John Martin and Father John Kenyon [the three Johns]
John Mitchel with John Martin and Father John Kenyon [the three Johns]
John Mitchel with John Martin and Father John Kenyon [the three Johns]

John Mitchel with John Martin and Father John Kenyon [the three Johns], 1866

Edouard Gatel
Portrait, carte de visite photograph

Collection: National Portrait Gallery
Purchased 2016

Prince William of Wales, by Mario Testino, 2003 publ. September 2003.
Credit: Mario Testino

Vanity Fair Portraits

Photographs 1913-2008
Previous exhibition, 2009

Vanity Fair Portraits traces the birth and evolution of photographic portraiture through the archives of Vanity Fair magazine.

Nose, 2008–10 by William Kentridge

A nose by any other name

Magazine article by Jane Kinsman, 2013

In the exhibition William Kentridge: Drawn from Africa at the National Gallery of Australia, the artist marries Gogol's Tsarist Russia, with that of Stalin and the damaging history of his homeland, South Africa.

The sisters, 1904

Beguiling impressions

Magazine article by Dr Sarah Engledow, 2012

Sarah Engledow is seduced by the portraits and the connections between the artists and their subjects in the exhibition Impressions: Painting light and life.

Self Portrait, 1963–64

What price self?

Magazine article by Jane Raffan, 2013

Jane Raffan investigates auction sales of self portraits nationally and internationally.

Mick Jagger, Madonna and Tony Curtis, 1997

The Vanity model

Magazine article by David Friend, 2009

Vanity Fair Editor David Friend describes how the rebirth of the magazine sated our desire for access into the lives of celebrities and set the standard for the new era of portrait photography.

Henry Lawson

Regarding Henrys

Magazine article by Dr Sarah Engledow, 2015

Sarah Engledow ponders the divergent legacies of Messrs Kendall and Lawson.

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Canberra, ACT 2600, Australia

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency